Tim Latham

Protools Mixing

Listening to your favorite mixes

As a beginning mix engineer, I found a few records that I loved the way they sounded. Some of them being Earth Wind and Fire’s “All n All”, Donald Fagens “The Nightfly” and Peter Gabriels “So”. You should try to find a record that you really love and use it as a reference when mixing. [...]

Another decade as a Mix Engineer

As this decade comes to its inevitable conclusion, I ask myself, well, how did I get hear?  What a long strange trip it’s been I must say.  It started out with me living in TriBeCa, actually purchasing my first cell phone (I can hear the laughs from hear) and using pro tools only casually, to [...]

Mixing Demos

When mixing a demo, treat it like you’re trying to beat Sgt. Peppers or Pet Sounds or any of your favorite recordings.  Any mix engineer worth their weight in patch cables should never put anything less than 100% into their demo mixes or rough mixes.  There are numerous instances in my career as a mix [...]

Mix Engineer

The role of a mix engineer and how it’s evolved: When I was starting out in recording studios, the role of the mix engineer was fairly well defined. A few weeks of lock-outs (24hr. sessions) were booked at a studio of choice, the tapes arrived a day before starting, the multitrack machines were aligned, and [...]

Illegal Downloading

I’m not going to get on my soapbox, but I do feel it necessary to mention a few thoughts about the rights of artists to be compensated for their work. There is ceaseless discussion on countless message boards (more like whining) about illegal downloading of copyrighted files. It would behoove all of us to do [...]

Online Audio Education

I’ve been receiving a lot of questions regarding online audio engineering programs. There is desire amongst home studio engineers to learn more about their craft. Bit there appears to be a limited amount of options available. The two most common sources for such an education are the big name music schools and instructional dvd’s. There [...]

Vocal Microphone Technique

First and foremost, vocals are the most important element in modern music, with the obvious exception being instrumental music. The drums are the motor that drives a mix and the vocals are the navigator. One of the biggest challenges as a recording engineer is the get a great vocal sound. To start, the most appropriate [...]

What makes a bad mix bad and a great mix great

When I’m asked what I do for a living, there is a now familiar look of confusion when I say that I’m a mix engineer. Or a recording engineer. Mixing records is a very difficult concept to describe to someone who has no idea what a recoding studio is, never mind what an audio engineer [...]

Chosing monitors for your studio

Monitors: The ears of your studio. A question that’s often asked when someone is putting together a recording studio or mixing studio is what monitors they should use. I think your monitors are the most crucial piece of gear in your studio. They need to be comfortable to listen to, but more importantly, they need [...]

Mixing pro tools in the box

I’ve heard from many mix engineers of varying skill that “you can’t mix in the box or shouldn’t”. And my response it that I can “mix in the box” only because I’ve retrained myself to do so. It’s an ongoing debate with valid points made on both sides. Mixing in pro tools is certainly not [...]